In Strict Tempo

In Strict Tempo, vol. 122: Decent Exposure

One thing I mentioned briefly before I went away was the upcoming reissue of seminal 1990’s progressive house compilation Northern Exposure, mixed by…

Oct 2 • Owen Kiernan

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September 2026

In Strict Tempo, vol. 121: Dub Special!

Welcome back to In Strict Tempo, returning after a short break.

Sep 18 • Owen Kiernan

August 2026

In Strict Tempo, vol. 120: Some Summer Reading

Welcome to this weeks In Strict Tempo - I’m about to head off to the South of France for a couple of weeks so this will be the last IST until I’m back.

Aug 28 • Owen Kiernan

In Strict Tempo, vol. 119: Warp Deep Cuts

I really enjoyed writing last weeks article looking into some Weatherall deep cuts, and it got a great response from everyone I spoke to about it, so I…

Aug 14 • Owen Kiernan

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In Strict Tempo, vol. 118: Weatherall Deep Cuts

I mentioned last week that there was a new Andrew Weatherall book on the shelves, and given my love for all things Guv, it sent me flicking through the…

Aug 7 • Owen Kiernan

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July 2026

In Strict Tempo, vol. 117: The Best of 2026 So Far

Hello and welcome to this week’s In Strict Tempo, which finds itself slap bang in the middle of a busy week in the world of music.

Jul 31 • Owen Kiernan

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In Strict Tempo, vol. 116: We Don't Need A New Spotify

Hello and welcome to this weeks In Strict Tempo.

Jul 17 • Owen Kiernan

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In Strict Tempo: Ceremony #6 Mother - Live At SWG3 (Live At The Liquid Room 30th Anniversary)

Glasgow’s Mother Mark Maxwell really is the DJ’s DJ.

Jul 13 • Owen Kiernan

In Strict Tempo, vol. 115: Hotter Tracks

The heatwave continues, as does the amount of new music landing in my inbox each week.

Jul 10 • Owen Kiernan

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June 2026

In Strict Tempo, vol. 114: Heatwave!

How we all doing in this heat eh?

Jun 26 • Owen Kiernan

In Strict Tempo, vol. 113: Reviews Special

Hello and welcome to this weeks In Strict Tempo.

Jun 5 • Owen Kiernan

May 2026

In Strict Tempo, vol. 112: You Retreat In Time and Space

Resident Advisor called it “dark and disquieting”, The Guardian have dubbed it a “big disappointment”, with dubious drum programming.

May 29 • Owen Kiernan

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